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Person

Léonce-Henri Burel

Camera

Known for
Camera
Born
Nov 24, 1892
Died
Mar 21, 1977
From
Indre, Loire-Atlantique, France

Léonce-Henri Burel (23 November 1892 – 21 March 1977) was a French cinematographer whose career extended from the silent era until the early 1970s. He was the director of photography on more than 120 films, working almost exclusively in black-and-white. After studying at the University of Nantes, he initially worked as a photoengraver before becoming a camera operator. At the Film d'Art company in 1915 he was noticed by Abel Gance and began a collaboration with him which extended over 16 films, including J'accuse, La Roue, and Napoléon. In the period of silent films he also worked on several productions with Jacques Feyder. During the 1930s he worked regularly with Jean Dréville and Henri Decoin. With Le Journal d'un curé de campagne, for which he won the best cinematography award at the Venice Film Festival in 1951, Burel began another important collaboration with the director Robert Bresson which continued through three further films. Burel also directed three films himself between 1922 and 1932. Source: Article "Léonce-Henri Burel" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Credits

Around The Wheel

19238.0out of 10

Abel Gance: The Charm of Dynamite

19686.5out of 10

Pickpocket

19597.3out of 10

Morgane, the Enchantress

19288.0out of 10

Crainquebille

19227.4out of 10

La Roue

19237.3out of 10

Faces of Children

19257.7out of 10

Tant qu'il y aura des femmes

19557.0out of 10

The Man with a Broken Ear

193510.0out of 10

Diamond Machine

19553.5out of 10

Blind Venus

19416.5out of 10

The Truth About Bebe Donge

19526.9out of 10

Mademoiselle de La Seiglière

19219.0out of 10

Facing the Ocean

19208.0out of 10

Other Side of Paradise

19535.7out of 10

The Tenth Symphony

19186.4out of 10

Michel Strogoff

19266.7out of 10

Crossroads

19385.8out of 10

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