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Person

Eizo Tanaka

Directing

Known for
Directing
Born
Nov 3, 1886
Died
Jun 13, 1968
From
Chūō, Tokyo, Japan

Tanaka initially trained as a stage actor in the shingeki movement under Kaoru Osanai, but eventually joined the Nikkatsu film studio in 1917. He debuted as a director in 1918 but mostly had to work with shinpa stories, not the shingeki techniques he was used to although two early films, The Living Corpse (Ikeru shikabane) and The Cherry Orchard (Sakura no sono) were based on Tolstoy and Chekhov respectively.[3] Working in parallel with the Pure Film Movement, Tanaka made two films, Kyōya eirimise (1922) and Dokuro no mai (1923), based on his own screenplays, that were highly praised for their cinematic technique.[1] He remained a rather conservative filmmaker and still used oyama (male actors) in female roles, including in his masterpiece Kyōya eirimise, a melodrama about a merchant's destructive love for a geisha. He used actresses for the first time in Dokuro no mai, a story of a monk reminiscing about his youth and early loves.

Credits

Stray Dog

19497.6out of 10

The Wild Geese

19536.7out of 10

Till We Meet Again

19506.7out of 10

Tower of Lilies

19536.8out of 10

The Blue Mountains: Part I

19496.4out of 10

Town of Violence

19506.5out of 10

A Woman's Life

19499.0out of 10

A Trumpet Boy

19550.0out of 10

Five Women Around Him

19270.0out of 10

Before the Morning Sun Shines

19211.0out of 10

Scent of the White Lily

19210.0out of 10

Woman in the Stream

19210.0out of 10

The Lapel Shop

19220.0out of 10

Skull Dance

19230.0out of 10

A Paper Doll's Whisper of Spring

19268.0out of 10

The Living Corpse

19180.0out of 10

Akatsuki

19180.0out of 10

Namiko

19320.0out of 10

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