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Person

Andrea Crisanti

Art

Known for
Art
Born
Jun 2, 1936
Died
May 7, 2012
From
Rome, Lazio, Italy

Andrea Crisanti (12 June 1936, in Rome – 7 May 2012) was an Italian production designer and art director. Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda. In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983). He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association. Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Credits

Andrey Tarkovsky in Nostalghia

19846.7out of 10

Nu de femmes

20130.0out of 10

Duck, You Sucker

19717.7out of 10

Lucky Luciano

19736.3out of 10

Devil in the Flesh

19865.6out of 10

Mr. Robinson

19766.1out of 10

The Four Days of Naples

19627.6out of 10

The Face of Another

20135.1out of 10

Viper

20004.3out of 10

Yesterday, Today and Tomorrow

19637.4out of 10

Ugly at Night

19685.2out of 10

Four Times That Night

19715.3out of 10

Christ Stopped at Eboli

19797.2out of 10

Chronicle of a Death Foretold

19877.3out of 10

I due Crociati

19686.6out of 10

Many Wars Ago

19707.3out of 10

Talcum Powder

19826.8out of 10

The Persian Lamb Coat

19805.0out of 10

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