Person
Andrea Crisanti
Art
- Known for
- Art
- Born
- Jun 2, 1936
- Died
- May 7, 2012
- From
- Rome, Lazio, Italy
Andrea Crisanti (12 June 1936, in Rome – 7 May 2012) was an Italian production designer and art director. Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda. In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983). He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association. Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Credits

Andrey Tarkovsky in Nostalghia
Nu de femmes

Duck, You Sucker

Lucky Luciano

Devil in the Flesh

Mr. Robinson

The Four Days of Naples

The Face of Another

Viper

Yesterday, Today and Tomorrow

Ugly at Night

Four Times That Night

Christ Stopped at Eboli

Chronicle of a Death Foretold

I due Crociati

Many Wars Ago

Talcum Powder

The Persian Lamb Coat