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Person

Dziga Vertov

Directing

Known for
Directing
Born
Jan 3, 1896
Died
Feb 11, 1954
From
Bialystok, Grodno Province, Russian Empire

Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.

Images

Credits

Kino-Pravda No. 8

19225.8out of 10

The Return of Vertov

20245.0out of 10

All Vertovs

20020.0out of 10

World Without a Game

19660.0out of 10

The Magic Beam

19630.0out of 10

Man with a Movie Camera

19297.8out of 10

Enthusiasm. Symphony of Donbas

19306.4out of 10

Lenin's Kino Pravda: Truth in Cinema

19240.0out of 10

Three Songs About Lenin

19346.1out of 10

Kino-Pravda No. 1

19225.5out of 10

Kino-Pravda No. 2

19225.1out of 10

Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean

19245.3out of 10

Kino Eye

19246.7out of 10

The Eleventh Year

19286.0out of 10

Lullaby

19376.5out of 10

Three Heroines

19389.5out of 10

Stride, Soviet!

19266.3out of 10

Soviet Toys

19245.4out of 10

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