Monet is an artist that I have always greatly admired. His use of colour through water and sky to convey his emotional state has had a great influence on me. Whether it was the first rays of light glinting the water's edge or the magic time just before nightfall, Monet's sense of colour and colour conveyance has always been perfect. I have used my techniques of alchemical film to translate onto film my impressions of Monet's sense of colour, water, sky and his most powerful icon the water lily. Using my toning, liquid emulsion, reticulation, dried crystal bleach formations and stacking techniques to just name a few I have translated the Monet experience onto the surface of my film.
Directed by Carl E. Brown
Your score–
Not scoredImages
Related
Capital in the Twenty-First Century
McQueen
Naqoyqatsi
To Kill a Tiger
Drew: The Man Behind the Poster
Ex Libris: The New York Public Library
The Curious Birth of Benjamin Button
Seduced and Abandoned
The Class of ‘92
Directed by John Ford
A Toxic Love Story
Above Majestic
Trainwreck: The Real Project X
Come See Me in the Good Light
Harry Dean Stanton: Partly Fiction
My Mom Jayne